— Shea Stadium Doomsday Clock —


by Kingman on May 10 at 4:20PM

SNY was showing a special about the 1984 Mets last night, during the Mets/Reds rain delay. Shea looked odd to me in the old clips, then I realized why: there was no Citi Field in the parking lot, just a parking lot.

Soon Shea Stadium will be just a parking lot.

Meanwhile, On opening day at Shea Stadium, I took some pictures of the view from the Upper Deck. Six months from now, this vista will be accessible only to birds and maybe a La Guardia-bound jetliner.

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[May 11, 2008 12:27 PM]  |  link  |  reply
jason said

wow man, you had the same thought about taking those pictures that I've had over the last two years.




On September 18, 2006, the Mets beat the Florida Marlins 4–0 and became the National League Division Champs.

And we were there. My parents, Ron Hunt and I sat in Loge13 and celebrated together. Ron Hunt just uploaded his video of that night. This is what victory looks like from Loge13:

 

Full disclosure: I am the bozo screaming “Rock & roll” and behaving stupidly in the background, along with 50,000 other people.






by Kingman on May 3 at 9:29AM

Jane-jarvis_NYDailynewsI have to say, Jane Jarvis has inspired more comments and tributes than almost anything else posted on Loge13. She has also received alot of media attention, ever since the February crane accident that damaged her apartment.

Filip Bondy wrote a nice interview up of Jarvis for a new feature in the NY Daily News called “The Happy Recap” (thanks for the heads up Eli). Here ‘tis, in case you missed it:

You whistle the tune she once played each time the Mets took the field, and Jane Jarvis giggles merrily. It is still a great pleasure for her to know that people out there remember. She wrote the song back in 1964, which she called "Let's Go Mets," and it is quite different than the other "Let's Go Mets" ditty the club still uses.

Everything is different, of course. The sound system at Shea Stadium is harsh and relentless, overpowering any attempts at conversation by spectators with tinny heavy metal or rap or silly scoreboard games. Organ music is a great pleasure lost at major league games, along with its expert practitioners. Jarvis, 92, grows very sad when she considers the fate of Shea, where she played the organ for 15 years, until an ownership change following the 1979 season.

"I thought I was leaving on my own volition," says Jarvis, who can still play a mean jazz piano on her better days. "It turns out they would have let me go, because there was no organ anymore. The new owners didn't want it. They made it clear they didn't want the music."

When it comes to music and the Mets, Jarvis once wrote the book. "I made all the decisions," she says. She had a song for when the Mets trotted to their positions, and a song for when they smacked a homer, and then there was the Mexican Hat Dance to get things going when the home team really needed it during the seventh-inning stretch. An entire generation of Met fans came to identify the team's championship run in 1969 with her lilting keyboard work.

By the time she retired from such frivolities at age 63, Jarvis already had established herself long before as a child prodigy and then as a respected recording artist. Baseball and the Mets, however, were her primary passion.

This was not always the case. Jarvis, from Gary, Ind., knew little of the game while hosting a television show in Milwaukee back in the 1950s called "Jivin' with Jarvis." When she took a job playing the organ for the Milwaukee Braves at County Stadium, Jarvis didn't know exactly when an inning began or ended.

But she was a fast learner, and came to love the sport. She came to New York as an arranger for the Muzak Corp. and then was a natural hire by the Mets when their new stadium opened in Flushing.

"I have a history of working for baseball and so they were trying to contact me, and I didn't even know it," Jarvis says. "I went to them to apply for the job. They handed me the music, and I played it real well. They realized I was a person who had the experience and knew the kind of music you play. It was a happy situation."

The job required several talents. An organist needed to have a feel for the flow of the game, and required great durability to survive an 81-game home season. She played through storms and she played through the great blackout of 1977, keeping everyone calm in their seats.

"I played hours and hours through the rain delays," Jarvis says. "But I tell you I loved the job. I had the opportunity to meet the most important people in the world."

She remembers fondly the owners and players she met over the many seasons. She had several favorites, one of them being the Mets' outfield star, Tommy Agee. Jarvis never really became too close to any of the managers, however, as they came and went too quickly.

"There really wasn't a lot of camaraderie with them," she says. "Their jobs were so perilous."

Jarvis faced her own musical crisis, too, when the Mets purchased a new organ that she found to be terribly misfit for the task.

"I knew I had to be very careful what I said," Jarvis says. "I was trying to play the organ that they bought. I was ready to play. I wound up playing it. And then just by chance, I happened to know the senior manager of the Thomas organ company. And he was at the ballpark, and I was waving at him, and I was crying.

"He asked, 'Why are you crying?' And I said, 'Because of this organ.' I explained to him that people had thought they'd bought the best, but he said, 'I know you're the one who is going to have to play it, and I'm going to fight to get our organ in there.'"

Within two days, a new Thomas organ was installed and ready to play. Jarvis would remain content at her keyboard until retirement, and until the Wilpon-Doubleday ownership went in a very different musical direction. When she inquired about the organ after her retirement, she was disappointed to discover it had disappeared without explanation.

Jarvis recently endured a frightening experience when a construction crane collapsed on East 50th St., adjacent to her own apartment building, killing seven people. Jarvis moved out of her place temporarily, before returning after the dust settled. There is still a makeshift memorial and much recovery work going on next door.

"I was shaken by it," Jarvis says. "It was a horrible, horrible thing to have happen, the most terrifying experience you can imagine.

"But when you consider I'm 92, I'm in excellent health. I'm still invited and hired to play."

Never again at Shea, it seems.

"I can't bear to think about it," she says of the stadium's lame-duck status. "People were so nice to me. You caught me on my favorite subject.



[May 15, 2008 12:55 PM]  |  link  |  reply
Jim Pitt said

It's hard to believe that the Mets wouldn't invite Jane Jarvis back to play at least one more time at Shea, as she was such a big part of the Shea experience for 15 years. What a missed opportunity.

I was such a Mets geek when I was little that I wrote her a fan letter, to which she responded by sending me a book of Mets organ music. I still have it!




Good article in today's NY Daily News on the status of Shea Stadium's Home Run Apple. And good shout-outs to the good guys over at SaveTheApple.com. You are doing inspired work, fellas:

Darryl Strawberry is laughing on the other end of the phone when talk turns to the Home Run Apple at Shea. Some believe it's a hokey throwback to days when the Mets might do anything to distract fans from their dreadful team on the field, but others, like the ex-slugger, cling to it as a hammy symbol of nostalgia in the ballpark's final season.

"Love it," Strawberry says with a giggle. "It's the Big Apple, you know? I have a lot of fond memories of making that thing come up. That apple has always been special to me - it means you've done something good."

The apple is a nine-foot mass of fiberboard slathered in red paint that, whenever a Met blasts a homer at Shea, pops out of a 10-foot, upside-down black top hat made of plywood. The Mets logo on the apple lights up and blinks. The phrase "Home Run," which replaced the original "Mets Magic," an offshoot of the Mets' old "The Magic is Back" campaign, is visible on the top hat.

The apple, all 582 pounds of it, appeared behind the fence, to the right of the 410-foot mark in center field, during the 1980 season. No one can remember exactly when it made its debut, but Joe Donohue, one of those responsible for inventing it, guessed its debut was around late May.

The Joe Torre-led Mets were awful back then. Tom Seaver was gone, Strawberry and Dwight Gooden were a few years away and the 1980 Mets finished fifth in the NL East at 67-95.

"They were trying to put a positive marketing spin on the franchise," recalls Dave Howard, the Mets' current executive vice president of business operations. "There was some backlash - some people said, 'What Magic?' Or 'The Magic is Tragic.'

"But since then it has become an icon of the franchise. It has resonated with the young fan. I got a new appreciation of it going to games with my kids. Someone would hit a home run and they'd say, 'Dad, the apple's coming out.' They'd get so excited."

That feeling is why there will be some sort of apple at the Mets' new home, Citi Field, which opens next season, Howard says. "Planning the new park, we always felt there should be some kind of apple," Howard says. "Whether it's the same one or not, that's something we're still weighing. Either way, the apple will be represented."

That's good news to Mets fans Lonnie Klein and Andrew Perlgut, who've known each other since attending high school at Horace Mann. The pair had an epiphany at a 2006 game after watching Carlos Beltran coax the apple out of the hat with a homer.

"We looked at each other and said, 'What's going to happen to the apple?'" Klein says. "We decided to have some fun with it." They started a Web site, savetheapple.com, dedicated to encouraging the Mets to bring the old toy to their new home. As of yesterday afternoon, they had collected 7,115 signatures on their online petition.

"The apple represents the fun of the Mets," says Klein, a 26-year-old law student. "They are kind of the upstart kids and the fans really take that attitude to heart. The apple is part of that and it'd be a shame if it's not brought over to the new stadium."

Donohue was the Mets' director of promotions back when the apple was dreamed up. While some call him "The Applefather," Donohue also gives credit to his then-assistant, Jim Plummer, now the Mets' director of corporate services, and Met executives Al Harazin and Frank Cashen. Nelson Doubleday and Fred Wilpon, who had just bought the team, deserve acknowledgment, too, Donohue says.

New York City was being promoted as "The Big Apple" around that time, which meant the Home Run Apple is perhaps a perfect merger of that slogan and the Mets' 1980 motto of "The Magic is Back."

Newspapers mocked the Mets' slogan, considering how bad the team was. The Daily News even ran a "Mets v. Maris" contest, tracking the Met homers against the pace of former Yankees slugger Roger Maris, who had slugged 61 home runs in 1961. The '80 Mets finished with 61 homers, too.

While fans enjoyed it, the apple may not have been universally loved inside Mets offices. Howard recalled that he once sat next to Cashen at a game and, when the apple popped up, Cashen told Howard, "That's Harazin's folly."

"At the time, it was just another way to entertain," Donohue says. "It's funny, now we take a lot for granted, with computers and hydraulics. The hydraulics of the apple were pretty basic."

There is an elevator inside the hat that pushes up the apple. It is operated from the control booth, which is to the left of home plate on the press level. The scoreboard is operated from the same room. An electrician pushes buttons to raise or lower the apple and the apple can be stopped, too, as a stunned Strawberry learned when he was a member of the Yankees.

The Yankees had to play a home game at Shea against the Angels on April 15, 1998 because a beam had collapsed at Yankee Stadium two days earlier, crushing several rows of seats. In the bottom of the fifth inning of the Yankees' Shea "home game," Strawberry smacked a solo homer off the Angels' Omar Olivares.

Though Strawberry no longer wore Met colors, the apple shot up - halfway - delighting the crowd of 40,743, an homage to a former Met superstar.

"I was like, 'Bring it up the whole way!'" Strawberry says now. "It was different, seeing that, after the times I was there, my eight years playing at Shea. There was an excitement, because of my history playing there with the Mets."

The apple can be a maintenance headache. Bob Mandt, who was the stadium operations manager from 1983 until his retirement in 2004 and is now a Met consultant, recalls that if it was left uncovered, the top hat could fill with rain. "Sometimes," Mandt says, "it would get stuck up or down and you had to wait it out and send the electrician out there."

Mostly, though, the apple is loved. A few years ago, the Mets gave their season-ticket holders a gift of a clock made out of a replica of the top hat and apple. In 1981, Donohue says, he designed a lapel pin with the Met logo, the apple and a stem.

Donohue, who now runs his own event management company, EventSavvy, jokes that he'd take the apple home with him and put it in his front yard "if I could satisfy the zoning board" in his New Jersey hometown.

"Realistically, I'd love to have that apple, in all its lo-tech glory, be seen and celebrated at Citi Field," Donohue says. "It really kept fans entertained while Frank and his team rebuilt the team on the field.

"I have some ideas on how we can make everybody happy in the new park. I have a presentation in mind that I'd be happy to make to the Mets. I'm intrigued by the aerial photos of the new stadium; it looks like there's a space for it."

If there's no spot for the old one at Citi Field, Strawberry has a suggestion: "Put it on eBay. I know somebody would love to have it. They could bid on it.

"In the new park, you might have to build a new one, the old one might not look right and it might be exciting to have a new, bright red apple up there."





[April 21, 2008 11:49 PM]  |  link  |  reply
Bobster said

I think Darryl is right: put it on Ebay. Though it hurts me to the core (pun intended) I think 28 years is long enough.




We wrote a few posts recently aboutJane Jarvis, Shea Stadium’s premier music maker. She came up in the news last month after the NYC crane tragedy. A few of us wrote into the Mets asking if they would be remembering Jane in Shea’s final year. You can see at least one reply here.

Loge13 stalwart Bobster sent in his memories of Jane:

Everybody knows how a song can suddenly take you back to a time and place.  An oldies station does that, making you remember a high school dance, or a football homecoming, or summer camp.

Reading about the former Mets organist Jane Jarvis certainly does that for me.  I'll never forget the sense of anticipation as Jane launched into "Lets Go Mets" and the team stood on the front steps of the dugout at Shea, preparing to run onto the field to start the game.  Or hearing that little ditty she played whenever a Met hit a home run (even before they installed the Home Run Apple).  Or hearing her play the Mexican Hat Dance for the seventh inning stretch.

Here's a picture of Jane from the 1968 Mets yearbook. 

Jarvis

For fans of my generation, the memory of her organ playing returns us to those summers of our youth, especially that magical summer of 1969.  I'm glad Jane is starting to get remembered in this final season of Shea Stadium, and hope the Mets give her a fitting tribute this year.

Bobster

Thanks Bobster!

I was hanging with Loge13’s Ron Hunt and Don Hahn Solo last night. Trivia question from Hunt: What kind of organ did Jane Jarvis play? 

 



[April 19, 2008 11:16 PM]  |  link  |  reply
Bobster said

The Thomas organ?

[April 20, 2008 10:36 PM]  |  link  |  reply
Kingman said

Exactly.











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